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MAISON PALM BEACH

Fine Art • Sculpture • Objects

MAISON PALM BEACH Fine Art • Sculpture • Objects MAISON PALM BEACH Fine Art • Sculpture • Objects MAISON PALM BEACH Fine Art • Sculpture • Objects
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Piline, circa 1900, plaster bust attributed to French Symbolist sculptor Raymond Sudre (1870–1962),

Piline

Raymond Sudre Symbolist Plaster Bust

Piline

Raymond Sudre (1870–1962)
French Symbolist Sculptor
France, circa 1900
Plaster Maquette, Described as Original Model
16 × 14.5 × 9 inches


Piline is an evocative Symbolist plaster bust attributed to the French sculptor Raymond Sudre (1870–1962), whose work reflects the refined modeling, psychological sensitivity, and expressive character of European sculpture at the turn of the twentieth century.

The sculpture depicts a veiled female figure with softly modeled features, a slightly lowered head, and a distant, contemplative gaze. Its restrained expression and flowing drapery create an atmosphere of introspection, mystery, and quiet elegance.

Dating to circa 1900, Piline embodies the artistic ideals associated with Symbolism, a movement that favored imagination, emotion, spirituality, and psychological suggestion over purely naturalistic representation.

As a plaster model, the work offers an intimate appreciation of sculptural form, surface, and the creative process. Its subtle modeling and distinctive presence make it particularly appealing to collectors of historical sculpture and decorative works suited to both classical and contemporary interiors.


The Artist: Raymond Sudre:

Raymond Sudre (1870–1962) was a French sculptor, painter, and medalist born in Perpignan. He studied under prominent French sculptors Alexandre Falguière and Antonin Mercié and received recognition at the Paris Salon.

Sudre's career encompassed portrait busts, allegorical sculpture, public monuments, and decorative works. His association with the Manufacture nationale de Sèvres between 1902 and 1905 further establishes his participation in the artistic culture of early twentieth-century France.

His work combined academic sculptural training with the expressive and sometimes mysterious qualities associated with Symbolist art.


Signature & Documentation:

The sculpture retains a marking documented in the accompanying detail photographs. This physical feature forms part of the object's identifying evidence and is presented for closer examination.

The exact transcription and significance of the marking remain to be confirmed.


Museum & Archival References

Musée d'Orsay, Paris
The museum's artist directory documents Raymond Sudre (1870–1962), his French nationality, and his work with the Manufacture nationale de Sèvres.

Musée des Beaux-Arts de Reims
The museum holds Sudre's Gélida, circa 1904, a glazed ceramic relief produced in


Early in his career, Sudre was tutored by sculptors Antonin Mercié and Alexandre Falguière.


Price $ 1,500

Piline

Piline, attributed to Raymond Sudre, circa 1900, white plaster bust of a veiled woman, three-quarter
Close-up of the face of Piline, a circa 1900 Symbolist plaster bust attributed to French sculptor Ra
Close-up of the inscription on the plaster base of Piline, bearing the words MODELE ORIGINAL, PILINE
Front view of Piline, a veiled female plaster bust attributed to Raymond Sudre, showing the complete
Opposite side view of Piline by Raymond Sudre, showing the sculpted veil and depth of the plaster bu
Side profile of Piline plaster bust attributed to Raymond Sudre, showing the veil, facial silhouette
Rear view of Piline plaster sculpture, showing the smooth flowing veil and back of the sculpted bust
Frontal studio photograph of Piline plaster bust against a black background.
White marble bust of a woman with a headscarf.
Three-quarter studio view of Piline, showing the veiled female figure and integral base.
Side-angle studio photograph of Piline attributed to Raymond Sudre, circa 1900.

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